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Transfer technique (drawing) : ウィキペディア英語版 | Transfer technique (drawing) The transfer technique is a special drawing technique that was developed by the painter and draftsman Jules Pascin. In Pascin’s mind a drawing should be done in complete freedom by the hand that is doing the drawing, without being controlled by the eye. He developed a form of blind contour drawing whereby a sheet of carbon paper was laid between two sheets of paper. The drawing itself was done using a non-writing pen (or stylus). ==The transfer technique as used by Kristians Tonny== The Dutch Surrealist artist Kristians Tonny developed his own method of transfer drawing that focused on figures from mythology, inspired by Pablo Picasso's blue period. Tonny developed on Pascin's technique and replaced the carbon paper with a layer on the basis of oil paint which he applied evenly on the back of the sheet of paper that went on top: The recipe of the oil paint-based mixture enabled him to get an even imprint of his drawing on the sheet of paper below during several hours, so that a large composition could be set up. The mixture also ensured that both finely drawn lines and more robust tracts would show through with equal precision, enabling him to achieve a great multitude of shades and to do very detailed drawing.〔Frida de Jong, Laurens Vancrevel (1978). Kristians Tonny: Meulenhoff. ISBN 9029011017 (Dutch). Includes a description by Tonny of his own method as well as pascin’s. Also there is an account by Roger Leenhardt of Tonny making a transfer drawing.〕〔(Leenhardt’s account can also be read here. )〕 Although Kristians Tonny used to contradict this, the transfer technique is often seen as a form of automatic drawing.
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Transfer technique (drawing)」の詳細全文を読む
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